We tried practicing a one whole shot that is inspired by 1917. We realised through this that timing is going to be really important but also holding the camera very steady so that we get nice smooth shots; especially when moving angles. During these shots I was talking Samuel through what those different angles would be and the timing at which he would move. These are the shots we got on film night. We did a few practice shots at our initial location but turned out super grainy due to low lighting. We played around with the camera for a bit but there was still too much grain. It was useful though as practice runs to get Samuel used to the camera movements and the actors used to their roles and what they would be doing. We then went to our second location which had much greater lighting and left us with much clearer and greater quality. This is a practice shot we got before we did any real shots. Once again we were walking through to make sure everyone was on the same page.
A Treatment for “We’ll Meet Again” Prepared by Samuel It is proposed that the film will be of 2 to 2.5 minutes in duration. It will be filmed in the area near my house because of the quiet and well-lit streets. This will be good for the car stalking Harry. Conventions: Iconography: The prevalent shadows in the environment will be our main source of iconography for our opening. Also the use of a car as a getaway vehicle after the kidnapping is a convention of thrillers. Harry's casual clothing will be a part of iconography as well. Sound: Diegetic sound will be prevalent in this film; Harry walking through the quiet street, the car stalking him, and the song playing from the car as it gets closer, Harry’s dialogue, “Nope, not today”, and the sounds of the struggle at the end. Non-diegetic sound will almost be non-existent with the music becoming non-diegetic at the end. Lighting: We will be using street lamps as our main light source as well as the headlights of the car...
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